True Colors

Imperial_box_meat3c
Imperial Box Meat     48 x 72 "

Inspired by emotion in the paint, and by the artist who felt the color in people, could hear color and saw colors we closed our eyes to long ago, and painted them.

"My sister is always putting the past behind
her— Well I use the past to make my pics
and I want all of it and even you and me in
candlelight on the train and every "lover" I've
ever had—every friend—nothing closed out—
and dogs alive and dead and people
and landscapes and feeling even if it is
desperate—anguished—tragic—it's all part
of me and I want to confront it and sleep
with it—the dreams—and paint it."

JOAN MITCHELL

Art in a Box Annual Art Sale and Fundraiser to Support Children at Risk Online Art Sale Begins Tonight!

Donated to Art in a Box Annual Art Sale and Fundraiser to Support Children at Risk

Mixed-media digital print on archival Hahnemuhle Sugar Cane 300 gsm Fine Art Paper
Signed and dated
9 x 7.5 ” (18 x 11.5 ” matted & framed)

Each work of art is on sale for a minimum donation of $100.

Proceeds benefit Art in a Box art and education programs for children at risk around the world. For more information about Art in a Box visit www.artinabox.org

INFO about art sale: http://www.artinabox.org/benefitartexhibition.htm

Art in a Box

I have donated a piece to this upcoming event helping children at risk. Check it out!

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Invitation

Masters & Pelavin Gallery & Art in a Box
are pleased to invite you to the
 
Art in a Box
Annual Art Sale and Fundraiser
All Proceeds Support Children at Risk!

Preview Art Online & Pick Your Favorites
Monday, December 12, 2011, noon through
Wednesday, December 14, 2011 at 9 PM.

Online Art Sale Goes Live
Friday, December 16, 2011 at 12:01 AM, EST!
 (That’s Thursday night, December 15, 2011 at one second after midnight)

Art Sale and Holiday Party!
Monday, December 19, 2011, 5-8 PM.
 
Masters & Pelavin
13 Jay Street
New York, NY 10013
www.masterspelavin.com
212 925-9424

All proceeds benefit Art in a Box art and education programs for children at risk. 

Art in a Box is a 501(c)(3), nonprofit organization that empowers children and communities
 that are facing crisis situations due to war, public health emergencies, natural disasters,
 or that are disadvantaged by poverty, through art and education.

For more information about Art in a Box, visit www.artinabox.org

463 West Street Suite G122 | New York, NY 10014 US

S U M M I T : Four Points of View In Painting and Drawing

Summit_invite_email2

Nyack Home Converts Into Contemporary Art Space 

Saturday, October 29, 2011, 2-6pm  |  68 Summit Street, Nyack, NY 10960

SUMMIT is an ephemeral exhibit of 4 artists who live in Nyack and the surrounding area. 

From 2-6pm on Saturday, October 29, a 135 year-old home on Summit Street in Nyack will subvert notions of the traditional gallery by transforming into a contemporary art space to showcase the work of four artists. Small and large drawings and paintings will be hung in an unexpected ascending space – a three story staircase. The experience of ascending and reaching an unknown “summit” will occur alongside viewing the works from an unfamiliar perspective. Additional works on paper and canvas will be on exhibit in the home’s living room-cum-temporary gallery where a reception will be held.

Nyack has long been known as a progressive, arts community, yet contemporary art galleries remain in short supply. SUMMIT: Four Points of View In Painting and Drawing aims to create a stimulating, although temporary, alternative gallery experience for the art scene and the community. In addition to Saturday’s show, the work can be viewed by appointment only the following day. That evening it will all come down and the home will reclaim its domestic identity. 

WILLEM DE KOONING TWELVE

by

"Fire damaged footage of De Kooning in his East Hampton studio mid August of 1966. The history of the footage: De Kooning, was a close friend of mine and of the poet Frank O;Hara. A month before this footage was shot , O'Hara was killed by a car on Fire Island, Me and O'Hara had been working on some new films at the time, and De Kooning was in one as Captian Nemo. I had planned before O'Hara's death, to get to East Hampton to film De Kooning along with Patsy Southgate and Claire Hooton. All of us were friends, and after i finished shooting what i needed we talked about O;Hara. I shot that also. The sound for the footage was never recovered."

http://alfredleslie.com/

Art & Identity

I’ve been thinking a lot about my art and identity since the New Year. After what felt like almost birthing a series of paintings, I was left in astonishment. What the HELL is going on?! What am I doing?! Who is this?!!... I have been in both panic and exhilaration at the same time, but I guess they mix well together and make life interesting, so I am grateful. Much better than dull!

Is this art coming out of me or am I coming out through my art? I never imagined it quite this way, but I feel so alive that I am going with it, sometimes dancing with it and sometimes confronting it, not worrying about the “mess”. Embracing its truth because it’s me after all. And if someone doesn’t know what to say about it, that’s okay because I don’t know what to say about it either, except that it’s real and free.

I’m back into de Kooning’s biography, mid-book, page 327. I swear, reading what de Kooning has to say about art grounds me completely. I love what the authors open chapter 23 with: “An artist is forced by others to paint out of his own free will.” De Kooning did what he felt inclined to do no matter what. As de Kooning said himself when MOMA asked him to speak on abstract art, “Nothing is positive about art except that it is a word.” I love that.

Well, here is “The One Love I Can Depend On”. The glorious Big Apple...always new, always changing, but always the same magnetic energy! Always home. I love you dearly.

Happy Summer Solstice!

The_one_love3
The One Love I Can Depend On     30 x 40 "

 

Thank you to the void, my love and Picasso!

Every artist struggles with the void, and it is the void that often brings them to their art, the void that calls to them, the void that makes the need to create above all else. It is their connection to the world and to themselves. The past 3 days I have been struggling with the "void", as it sometimes taps me on the shoulder when I am caught in the spaces between the actions. Searching in my mind's sea, I am at times physically paralyzed, mute and anxious, but my mind spins with explosions of imagery. It can sometimes be exhausting. I need nothing more but a very gentle quiet space to myself, undisturbed, until the urge to physicalize comes. And it is sudden.

I have been in the midst of 3 new paintings: Windows, The One Love I Can Depend On and the 3rd remains untitled. I have been battling them a little bit, as art-making can sometimes be a battle, challenging like a relationship that’s meaningful. It can make the worst and best come out of you. Yesterday, on one of my worst days, my husband and I had a long discussion about art making and we used the very term "void" as we were examining what this means to the artist.

Later in the evening and strangely enough, when I asked him to read me some de Kooning—yes, we sometimes read bed-time stories to each other—when he opened the biography to where I had left off, a new chapter fabulously began, Chapter 19: Darkness Radiant and it began with this quotation:

"In Genesis, it is said that in the beginning was the void and God acted upon it. For an artist that is clear enough. It is so mysterious that it takes away all the doubt. One is utterly lost in space forever."

How convenient!

And then I saw Picasso's Drawings with Light this morning as I was drinking coffee and the urge came and ideas are rolling...

Picasso: Drawing With Light